Best Fuji Lens for Fashion Photography

When it comes to fashion photography, a great lens can make all the difference. But these lenses can be hard to choose among, so we’re here to help you pick the best Fuji lens for fashion photography.

The best fuji lens for concert photography is great for all types of photography, from landscapes and portraits to sports, wildlife and other situations where you need ultra-fast shutter speeds. Our top choice is the Fujifilm XF 90mm f/2 R LM WR, a fast telephoto prime that delivers excellent image quality across its entire zoom range.

List of the best fuji lens for fashion photography

Fuji cameras could be one of the best cameras to use when it comes to fashion photography. They have a lens that suits all occasions, whether you are shooting in a studio or just out on a shoot. This best fuji lens for wedding photography will look at some of the best Fuji lenses for fashion photography.

1. Nifty Fifty (50mm equivalent) – Fujifilm XF 35mm f/2 R WR

Now, this list is in no particular order, but a good place to start would be with a 50mm (full-frame) equivalent. Some photographers have based their entire careers on the 50mm; it is a versatile focal length that can be used for everything from portraits to landscapes.

The XF 35mm f/2 is one of the original, oldest “nifty fifty” equivalents provided for X-mount cameras, but is still quite respectable. If you’re on a tight budget, the Fujifilm XC 35mm f/2 ($199) has the same optics, but is made of plastic and doesn’t have the fancy glass coatings. Want the absolute best, newest option? You’ll have to check and see if the XF 33mm f/1.4 LM WR is available! ($799)

The lens may not be as fast as its f/1.4 counterparts, however, it is smaller, lighter, and still has weather sealing. Contrast and center sharpness are impressive wide open at f/2 with very little vignetting. It takes an aperture or f/5.6 to have competitive sharpness in the corners.

2. The Portrait Lens – Fujifilm Fujinon XF 56mm f/1.2 R

I have been shooting this lens almost exclusively on my X-T1 for close to a year now, and it is no slouch. It’s Fuji’s second-fastest portrait lens, (the fastest being the monstrous XF 50mm f/1.0 R WR) and has an 85mm equivalent focal length. As with almost all Fujifilm primes, it lacks lacks image stabilization, plus there is no WR weather resistance.

Some would argue that the newer XF 90mm f/2 is better optically, well-suited for portraits, (especially solo/headshots) and has weather sealing to boot, but, the XF 56mm has reached legendary status among Fuji shooters, simply because the images look gorgeous.

The lens manages high image quality across the frame, edge-to-edge sharpness, with the image corners only being slightly softer than the dead-center. If you are buying an f/1.2 lens, you would want to shoot it wide open, and this lens practically begs you to shoot it wide open all the time.

Next to the XF 56mm f/1.2 APD, which is specifically made to create an even more unique, softer look, the bokeh of this ultra-fast f/1.2 mirrorless prime is arguably the best in the entire Fuji lineup. Just note that because of all the glass this lens’ AF motors must literally push back and forth, you would be sacrificing “snappy” autofocus speed compared to a more modest f/1.4 or f/2 prime.

3. Walk Around Zoom – Fujifilm Fujinon XF 16-55mm f/2.8 LM WR

The answer to the popular full-frame 24-70mm f/2.8, Fuji created a very capable 24-82mm equivalent. An excellent optic overall with impressive image quality, there is just some slight color fringing at the 16mm end of the zoom range, but, it’s nothing that can’t be controlled in post-production.

The lens is great for portraits of both individuals and groups, has excellent sharpness across the frame, and is weather sealed; could you ask for more? Well, I guess I could ask: this zoom lens lacks OIS stabilization, which can be a deal-breaker for some. Still, it’s hard to argue with the versatility of an f/2.8 zoom, especially if your Fuji mirrorless body has in-body stabilization! (IBIS)

4. Ultra-Wide Angle Zoom – Fujifilm XF 8-16mm f/2.8 LM WR

With the variety of wide-angle lenses that Fuji provides, professionals and hobbyists alike will discover which wide-angle focal lengths and apertures suit their needs and creative styles. If you want a fixed f/2.8 aperture that is truly as wide as possible, the XF 8-16mm is what you need.

At 8mm it matches the truly exotic full-frame equivalent of 12mm, while at 16mm it matches full-frame’s popular 24mm, of course. Indeed, it is a “modest” exotic flagship lens, if ever there was one.

One great alternative in the wide-angle category that you might want to consider, of course, is the the (updated) XF 10-24mm f/4 WR. The zoom range, equivalent to 15-35mm, is a very popular focal range, plus this lens is downright “tiny”! Color rendering and image sharpness are excellent, and things like distortion and color aberrations are well-corrected with this modern lens’ raw profile!

5. The Telephoto Zoom – Fujifilm Fujinon XF 50-140mm f/2.8 R LM OIS WR

Besides offering a full serving of alphabet in its name, the XF 50-140mm is Fuji’s offering for the 70-200mm crowd. Combined with the XF 16-55mm, you have the dynamic duo that most wedding photographers rock in their kit. (Or, add the 8-16mm f/2.8 for the “holy trinity” of f/2.8 zooms.)

Thanks to the linear motor, autofocus is quick and snappy, and highly precise on any of the latest Fuji mirrorless bodies with technology like face/eye detection and tracking. The focus and zoom mechanisms both take place internally; some folks dislike zooms that extend. Image quality is almost as crisp on the edges as it is at the center of the frame; merely stopping down to f/4 will make image quality virtually perfect.

Distortion is on par with an equivalent lens from other top brands; that is to say, it is negligible. Also, like name-brand flagship full-frame lenses, it is a weather-sealed, metal-clad monster that will appease the telephoto junkies out there.

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