Best Mirrorless Camera For Still Photography

The best mirrorless cameras can do everything that DSLRs did and more besides. They are especially well suited to travel, thanks to their more compact design, and video, because of their constant live view image capture. But which one should you get and how much should you spend? CAMERA BUYING ADVICE

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Best Mirrorless Camera For Still Photography

The best mirrorless camera in 2022: get the right camera at the right price!

By Rod Lawton published 15 days ago

These are the best mirrorless cameras right now for beginners, enthusiasts, vloggers and professional photographers.

(Image credit: Getty Images)

• Best cameras to buy
• Best DSLRs
• Cheapest full frame cameras
• Best cameras for vlogging
• Best cameras for beginners
• Best professional cameras
• Best medium format camera

There are lots of things to think about when choosing a mirrorless camera. Do you want to shoot stills or video or both? Almost all of the cameras in our list can shoot 4K video, but some have in-body stabilization for smoother footage, professional ‘log’ modes for colour grading and higher frame rates or capture quality. If video is a priority, you should also check out our guides to the best cameras for vlogging, the best 4K cameras for video and the best cinema cameras.

And for stills photography, how much resolution do you need? It’s tempting to assume that the higher the resolution the better, but this does bump up the costs. A 20MP Micro Four thirds camera may have all the resolution you need, even for big prints for wall hanging, and while a 40MP+ full frame camera may be very tempting, both the cameras and the lenses cost a lot more – and you’ll end up with a pretty heavy kit too.

Sensor size is actually a key decision in choosing the best mirrorless camera for your needs. Here’s a run-down of the main sizes available: RECOMMENDED VIDEOS FOR YOU…What is the rule of thirds?

• Micro Four Thirds is the smallest sensor format, but the image quality is surprisingly close to that of larger APS-C cameras. The Panasonic Lumix G100 is designed specifically for novice vloggers but is also a great stills camera, while the Olympus OM-D E-M10 Mark IV is one of our favorite small cameras. 

• APS-C cameras provide a good balance between quality and affordability, with a sensor roughly twice the size of Micro Four Thirds cameras. It includes mirrorless cameras like the Fujifilm X-S10 and the Nikon Z50, which offer good resolution and powerful controls.

• Full frame mirrorless cameras have sensors the same size as 35mm film negatives, and about twice the size of APS-C. This gives them better quality, but they are also bigger and more expensive. However, affordable full-frame options include the Nikon Z5 and Panasonic Lumix S5.

• Medium format cameras have sensors even larger than full frame. They’re generally for slightly more specialist applications where you really need the pixels, and while they were once prohibitively expensive, these days we’re seeing more  ‘affordable’ (sort of) models appearing on the market. These are still pretty specialised, though, so we’ve got a separate guide to the best medium format cameras for these.

Now that’s all taken care of, let’s get to the best mirrorless cameras you can buy right now!

The best mirrorless cameras in 2022

(Image credit: Fujifilm)

1. Fujifilm X-S10

The best combination of features, performance and value for enthusiasts

SPECIFICATIONS

Type: MirrorlessSensor: APS-CMegapixels: 26.1MPLens mount: Fujifilm XScreen: 3-inch vari-angle touchscreen, 1.04m dotsViewfinder: EVF, 2,360k dotsMax continuous shooting speed: 30/8fpsMax video resolution: 4KUser level: Intermediate/ExpertTODAY’S BEST DEALSVIEW AT AMAZON

REASONS TO BUY

+Small size & excellent build quality+Vari-angle touchscreen+In-body image stabilisation

REASONS TO AVOID

-Conventional mode dial

The Fujifilm X-S10 doesn’t have the external exposure controls of the higher-level X-series cameras, but that’s the only thing we can find to complain about, and it’s clear this is no ‘amateur’ camera. as its build quality and handling stand out straight away. The swap to a conventional mode dial might disappoint Fujifilm fans, but the excellent finish, build quality and handling and the inclusion of IBIS (in-body stabilisation) gives this camera a very broad appeal, especially in this price sector, to produce perhaps the best combination of performance, quality and value in the APS-C mirrorless camera market right now. It even has a vari-angle rear screen, which is another reason why we rate this new camera above our previous favorite, the X-T30. Recommended kit lens: Fujinon XF18-55mm or XF16-80mm.

Read more: Fujifilm X-S10 review(Image credit: Nikon)

2. Nikon Z5

A great value full frame camera and an introduction to Nikon’s fast-growing Nikon Z mirrorless ecosystem

SPECIFICATIONS

Type: MirrorlessSensor: Full frame CMOSMegapixels: 24.3MPLens mount: Nikon ZMonitor: 3.2-inch tilting touchscreen, 1,040k dotsContinuous shooting speed: 4.5fpsViewfinder: EVF, 3,690k dots, 100% coverage, 0.8x magnificationMax video resolution: 4K UHD at 30pUser level: EnthusiastTODAY’S BEST DEALSCHECK AMAZON

REASONS TO BUY

+Good price for full-frame+Twin card slots

REASONS TO AVOID

-Only 4.5fps burst-Cropped 4K video

While Nikon has done a solid job with filling out the very upper end of its Z range of full frame mirrorless cameras with the flagship Z7 II, and even found room for a cheeky APS-C offering with the Z50, it was arguably lacking an entry-level gateway to full frame. That has come in the form of the Nikon Z5, a stylish little shooter that offers full-frame features at an attractive price. With twin card slots and 4K UHD video it takes a few cues from professional bodies, though you won’t be burst-shooting at anything higher than 4.5fps. Still, with full weather-sealing, five-stop image stabilisation and a spectacular electronic viewfinder, anyone making their first jump to full frame is going to find themselves absolutely spoiled for features. What we like most about this camera is its keen pricing – well below the Nikon Z6 II – and its neat retracting kit lens. Recommended kit lens: Nikkor Z 24-50mm or Nikkor Z 24-70mm f/4.

Read more: Nikon Z5 review(Image credit: Panasonic)

3. Panasonic Lumix S5

Great for stills and even better for video, the full frame S5 is sold with a unique, super-wide 20-60mm kit lens

SPECIFICATIONS

Type: MirrorlessSensor: Full frame CMOSMegapixels: 24.2MPLens mount: L-mountMonitor: 3-inch vari-angle touchscreen, 1.84m dotsContinuous shooting speed: 7 fps (mechanical shutter), 6K Photo Mode (18MP @ 30fps)Viewfinder: EVF, 2.36m dotsMax video resolution: 4K/60pUser level: EnthusiastTODAY’S BEST DEALS

REASONS TO BUY

+Light and compact+Exceptionally good video+Extra-wide 20-60mm kit lens

REASONS TO AVOID

-Contrast AF only-More expensive in the US

The original Lumix S1 and S1R are impressive and powerful cameras… but big. Panasonic has taken this on board and somehow (we’re still not sure how) came out with the Lumix S5, a camera that offers basically all the same imaging power as the hefty 24-megapixel Lumix S1, but in a body weighing about 300g less. It’s also something of a spiritual successor to the video-oriented GH line, with best-in-class video specs. It shoots 4K/60p 10-Bit 4:2:0 video, and in terms of dynamic range, on paper only the pro-level Sony A7S III can lay any claim to matching or beating it. The colour science is finely optimised for a beautiful image. Stills shooters can also make use of 6K Photo mode for effective 30fps burst shooting, ensuring they never miss a moment. As hybrid full frame cameras go, this is extremely tough to beat, especially at today’s prices. Recommended kit lens: Lumix 20-60mm.

Read more: Panasonic Lumix S5 review(Image credit: Fujifilm)

4. Fujifilm X-T4

Fujifilm’s flagship X-series camera is a rugged powerhouse for both stills and video shooters

SPECIFICATIONS

Type: MirrorlessSensor: APS-CMegapixels: : 26.1MPLens mount: Fujifilm X mountMonitor: : EVF, 3,690k dots, 100% coverageContinuous shooting speed: : 11fpsViewfinder: : EVFMax video resolution: : 4KUser level: : Enthusiast/ProfessionalTODAY’S BEST DEALS

REASONS TO BUY

+26.1 megapixel sensor+4K video at 60fps+In-body-stabilization

REASONS TO AVOID

-Pretty pricey

The X-T4 is the current flagship model in Fujifilm’s X-mount camera range. Its predecessor, the X-T3, was a tough act to follow, with high-speed continuous shooting, advanced autofocus and class-leading 4K video capabilities, but the Fujifilm X-T4 takes things up another notch. The X-T4 now has in-body stabilization, a vari-angle touchscreen display and better battery life. The X-T4 isn’t just a terrific stills camera, of course. It also has cutting edge 4K video performance, with 60p 10-bit internal recording. It’s just a shame Fujifilm dropped the headphone socket (you’ll need an adaptor now). The only thing stopping this camera climbing higher in our list is its price, which has stayed high and is only a notch below that of some very good full frame rivals. Recommended kit lens: Fujinon XF18-55mm or XF16-80mm.

Read more: Fujifilm X-T4 review(Image credit: Nikon)

5. Nikon Z fc

The Z fc is a good value first camera with wonderful retro styling – though ‘native’ APS-C Nikon Z lenses are needed

SPECIFICATIONS

Type: MirrorlessSensor: APS-C CMOSMegapixels: 20.9MPMonitor: 3.2-inch tilting, 1.04m dotsContinuous shooting speed: 11fpsViewfinder: EVF, 2.36m dotsMax video resolution: 4K UHD at 30pUser level: Beginner/enthusiastTODAY’S BEST DEALSVIEW AT AMAZON

REASONS TO BUY

+Glorious looks+Dial-based controls

REASONS TO AVOID

-Z50 is cheaper-Few DX Z-mount lenses

The Nikon Z fc is, without a doubt, one of the coolest-looking mirrorless cameras around right now. It’s a retro-styled mirrorless machine with dial-based controls, and it’s a joy to handle, to use, and to be seen using. Internally, it’s basically the same deal as the Nikon Z50, with the same APS-C sensor and processor and many of the same specs. A few extra features like a built-in flash have been shaved off, and it is more expensive than the Z50, so if you don’t care about aesthetics then Nikon’s other DX-format camera is the smarter choice. But if you’re the sort of person who can’t resist the siren song of the best retro cameras, the Nikon Z fc will be right up your alley. The only thing we’ve got against it – and it is a pretty major thing, to be honest, is that there are still only two Nikon Z DX lenses to go with it. However, many photographers just want a kit lens and no more, so for them it’s not a problem. Recommended kit lens: Nikkor Z DX 16-50mm.

• Read more: Nikon Z fc review(Image credit: Panasonic)

6. Panasonic Lumix G100

A compact, portable and affordable MFT camera perfect for vlogging and travel

SPECIFICATIONS

Type: MirrorlessSensor: Micro Four ThirdsMegapixels: 20.3Lens mount: MFTScreen: 3-inch vari-angle, 1,840k dotsViewfinder: EVF, 3.69m dotsMax continuous shooting speed: 10fpsMax video resolution: 4K UHDUser level: Beginner/enthusiastTODAY’S BEST DEALS

VIEW AT AMAZON

REASONS TO BUY

+Quality video and stills+Audio-recording capabilities+Bright EVF and articulated LCD

REASONS TO AVOID

-No in-body stabilization-No headphone jack or USB-C

One of the cheapest cameras in our list is also one of the best for beginners, vloggers and travel photography. For many of us, video is just as important as still images, if not more so, and it’s these vloggers and content creators that the Lumix G100 is aimed at. It makes it easy to capture high-quality video and stills with its approachable button layout. Even people uninterested in the technicalities of capturing great-looking videos will be able to get results with this camera. By giving it a decent viewfinder and “proper camera” ergonomics, Panasonic has given the G100 an edge in a highly competitive market. This is a great camera to start with if you’re more interested in vlogging than regular photography and a useful step up from the GX80/85 both on resolution and video features. Recommended kit lens: Lumix G 12-32mm ‘pancake’ zoom.https://251bb4a3011f4f17a26d33d3b986bcea.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html

Read more: Panasonic Lumix G100 review(Image credit: Olympus)

7. Olympus OM-D E-M10 Mark IV

Compact and affordable, the Olympus is easy for beginners to learn with but packed with powerful features for later

SPECIFICATIONS

Type: MirrorlessSensor: Micro Four ThirdsMegapixels: 20.3Lens mount: MFTScreen: 3-inch 180-degree tilting touchscreen, 1,037k dotsViewfinder: EVF, 2,360k dotsMax shooting speed: 8.7fpsMax video resolution: 4K UHDUser level: Beginner/intermediateTODAY’S BEST DEALSVIEW AT AMAZON

View at AmazonView at Amazon

REASONS TO BUY

+Latest 20MP sensor+5-axis in-body stabilisation

REASONS TO AVOID

-MFT sensor smaller than APS-C-Plastic buildhttps://251bb4a3011f4f17a26d33d3b986bcea.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html

The E-M10 series has always been designed for value, but this Mark IV version adds power and sophistication too, with a 20MP sensor, improved in-body image stabilization and a new flip-down and tiltable monitor. Retaining the 4K video and attractive styling that made the Mark III so attractive, the Mark IV is an ideal choice for anyone looking for an entry-level camera that can do pretty much everything. The E-M10 series has long consisted of our favorite pint-sized cameras ever, so we’re really pleased that the Mark IV AT LAST got Olympus’s latest 20MP sensor. Even better, at today’s prices it’s one of the cheapest mirrorless models on the market too, which is pretty amazing considering what it can do. Recommended kit lens: M.Zuiko 14-42mm EZ ‘pancake’ zoom.

Read more: Olympus OM-D E-M10 Mark IV review(Image credit: Canon)

8. Canon EOS R5

For professionals who need a do-it-all stills and video camera for any assignment, this is it

SPECIFICATIONS

Type: MirrorlessSensor: Full frameMegapixels: 45Lens mount: Canon RFMonitor: 3.15-inch vari-angle touchscreen, 2,100k dotsViewfinder: OLED EVF, 5,690k dots, 100% coverage, 0.76x magnificationMax continuous shooting speed: 12fps mechanical shutter, 20fps electronicMax video resolution: 8KUser level: ProfessionalTODAY’S BEST DEAL

VIEW AT AMAZON

View at AmazonView at Amazon

REASONS TO BUY

+Best AF on the market+Best full-frame IBIS+8K video is astounding

REASONS TO AVOID

-Video recording limitations-Standard 4K is just okayhttps://251bb4a3011f4f17a26d33d3b986bcea.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html

As a stills camera, the Canon EOS R5 is simply Canon’s finest product ever. It’s the perfect amalgamation of the EOS R’s form, the EOS 5D’s function, and the professional-grade autofocus of the EOS-1D X. If you’re a stills or hybrid shooter who flits between photography and videography, it’s one of the best cameras you will ever have the pleasure of using. Alas, we can’t recommend the R5 if your primary interest is pure video shooting. Don’t get us wrong, its video is incredible – but having to navigate the overheating restrictions prohibits it from being your A-camera (unless you only shoot 4K 30p, in which case you don’t need this anyway). It’s not perfect at everything, but it’s so good at so much that it’s still a landmark camera. The Sony A1 sneaks ahead on specifications, but the Canon is A LOT cheaper.

Read more: Canon EOS R5 review(Image credit: Sony)

9. Sony A1

The Sony A1 is the king of the hill – for now. It combines resolution, speed and out-of-this-world video specs

SPECIFICATIONS

Type: MirrorlessSensor: Full frameMegapixels: 50.1NPLens mount: Sony FEScreen: 3-in tilting, 1.44m dotsViewfinder: Electronic, 9.44m dotsMax burst speed: 30fpsMax video resolution: 8KUser level: ProfessionalTODAY’S BEST DEALS

VIEW AT AMAZON

View at Amazon

View at AmazonSee all prices (6 found)

REASONS TO BUY

+50MP resolution+8K video+30fps continuous shooting

REASONS TO AVOID

-Stratospheric price!

The Sony A1 is everything that Sony says it is. It’s a technological triumph, a camera that really can do everything. Previously, cameras might offer speed, resolution or video capability, but the A1 offers all three, and even beats dedicated sports and video cameras at their own game. However, good as it is, the price is, and will remain, a major obstacle, and its appeal is limited to photographers who need everything it does, not just one or two of those things. Sony has also practically killed two of its other cameras by making this one! The Sony A9 Mark II is a terrific camera for sports, but beaten by the A1, while the Sony A7S Mark III’s excellent 4K video capabilities pale against the A1’s 8K capture.

Read more: Sony A1 review(Image credit: Nikon)

10. Nikon Z9

Possibly the best camera Nikon has ever released – and it shoots 8K video too

SPECIFICATIONS

Type: DSLRSensor: Full-frameMegapixels: 45.7MPAutofocus: 493-point hybrid phase/contrast detectScreen type: 3-inch bi-directional tilting touchscreen, 1.04m dotsMaximum continuous shooting speed: 20fpsMovies: 8KUser level: ProfessionalTODAY’S BEST DEALSCHECK AMAZON

REASONS TO BUY

+8K 60p video resolution+120fps burst shooting+Deep Learning AF

REASONS TO AVOID

-Screen not fully articulated-Some features not available til 2022

Nikon might’ve been late to the game in launching its professional, top-spec mirrorless but the Nikon Z9 was definitely worth the wait.  It’s an absolute beast of a camera when it comes to video, knocking the Canon EOS R3 out of the park. It’s capable of 8K 60p video recording or 8K 30p with an enormous 2-hour record limit. Nikon decided to remove the mechanical shutter completely which means the Z9 is capable of 120fps continuous shooting and has a max shutter speed of 1/32,000 which makes it perfect for sport and bird photography. The Z9 is powered by Deep Learning AF which makes the camera capable of nine kinds of recognition: human eyes, faces, heads and upper bodied; animal eyes, heads and bodies; and cars, planes, trains and motorbike. It has the same 493 AF points as the Nikon Z7 II which seems impressive until you find out that the Canon EOS R3 has a whopping 4,779 AF points. The Z9 comes in quite a bit cheaper than both the Sony A1 and the Canon EOS R3 and it has a lot of advanced features.https://251bb4a3011f4f17a26d33d3b986bcea.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html

The Best Mirrorless Cameras

Want the image quality of a DSLR without the bulk? These mirrorless cameras do more with less.

YOU KNOW WHAT’S the least important part of taking a great photo? Gear. The vision you have and the work you put into realizing it are far more critical.

That’s not to say gear doesn’t matter, just that it’s best used in service of something larger, not obsessed over. That’s why this guide doesn’t get too deep into the weeds of megapixel counts, sensor sizes, and pixel peeping. All these cameras are capable of producing amazing images; which one is right for you depends more on your needs than the size of the sensor. 

But choosing the right one can be confusing. I’ve spent the past year testing dozens in all kinds of shooting scenarios to come up with what I think are the best choices for different types of photographers.

Be sure to check out our many other buying guides, like the Best Compact Cameras, Best Camera Bags, and Best Action Cameras. 

Updated January 2022: We’ve added the Sony A7 IV, which is now our top pick for most people, and updated pricing and availability throughout.

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  • PHOTOGRAPH: KIYOSHI OTA/BLOOMBERG/GETTY IMAGESFull Frame or APS-C?Sensor TalkThe internet has an obsession with sensors, megapixels, and zooming in on images to find their flaws. Here’s the thing: If sharpness is what you want, shoot the largest format you can. But know that great photographs don’t need to be razor-sharp from edge to edge. Few of them are.That said, most of the cameras here have “full-frame sensors” (except the Fujifilm models, which use the APS-C sensors). There is nothing magical about this size; it just happens to be the same size as 35-mm film. This means that any lens made for a film camera can (probably) be adapted to work with the camera and produce the same field of view.There are much smaller sensors—micro four-thirds, for example—that are capable of producing very sharp images. Future versions of this guide may include some micro four-thirds cameras, but for now, to keep things simple, I’ve limited testing to APS-C and larger sensors.
  • PHOTOGRAPH: SONYBest for Most PeopleSony A7 IV CameraSony’s new A7 IV (9/10, WIRED Recommends) is a 33-megapixel full-frame camera capable of incredibly sharp images, with excellent dynamic range and the best autofocus system on the market. It’s compact and lightweight enough to carry all day without back strain, and the grip is comfortable. The five-axis image stabilization means you can hand-hold it in lower light, and the wide range of 4K video options make it the best all-around photo and stills combo on this page. There are better stills cameras (see the Sony A7RIV below) and better video cameras, but nothing else combines the two quite as well. What I don’t like about it, or any other Sony, is the labyrinthine menu system. Luckily there are enough customizable buttons that it’s not too difficult to set things up so you never need to dive into the menus.Specs: 33-megapixel full-frame sensor, 10 frames per second (fps), 7K oversampled 4K/30fps video, SD and Express cardsAnother option: If you don’t need the new autofocus features, the A7III remains a solid choice, and it’s frequently on sale for under $2,000.$3,199 AT AMAZON$2,498 AT B&H PHOTOADVERTISEMENT
  • PHOTOGRAPH: FUJIFILM Best on a Budget Fujifilm X-T4 CameraFujifilm’s X-T4 is one of the best values in the camera market. Fujifilm uses APS-C sensors, which are smaller than the full-frame sensors in the rest of the cameras in this guide, but the images are every bit as sharp. The X-T4 has in-body image stabilization and significant autofocus improvements compared to its predecessor. There’s also a clear division between photo and video mode, so you can easily switch back and forth. The XT-4 also offers a fully articulating rear touchscreen, something you won’t find in either of the Sony cameras.The camera body’s design is reminiscent of film cameras, and perhaps the best thing about it is how seldom you need to use digital controls. ISO, shutter speed, exposure compensation, and shooting modes are all accessible via physical dials. Finally, Fujifilm’s excellent line of lenses is surprisingly affordable relative to some of the others on the list, making this one of the least expensive systems to invest in. My only real gripe is the grip; it’s on the small side for a body of this size.Specs: 26-megapixel XTrans APS-C sensor, 15 fps with full AF, 4K/60fps video, dual SD cards$1,499 AT AMAZON$1,500 AT B&H PHOTO$1,499 AT ADORAMA
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  • PHOTOGRAPH: SONYMegapixel MadnessSony A7RIVSony’s A7RIV uses a 61-megapixel full-frame sensor. From a pure resolution standpoint, it is unmatched (unless you opt for medium-format cameras). If that’s not enough, there’s a 16-shot high-resolution mode that can create 240-MP images (so long as your subject is static, e.g., a landscape). The dynamic range is outstanding, and the ability to recover detail in the shadows is something you’ll only believe once you do it yourself. I was able to pull up shadows in my RAW editor by as much as five stops with no more noise than if I had shot at the corresponding ISO in the first place.While the still images the A7RIV produces are frankly remarkable, its video chops are not of the same caliber. That’s not to say its specs are bad, but there are more capable video cameras if that’s your focus. Other downsides are its price, and its RAW files are huge (around 125 megabytes per image). If you buy one, pick up some extra hard drives too.Specs: 61-megapixel full-frame sensor, 10 fps with full AF (12 bit RAM, 6 fps for 14-bit RAW), 4K/30fps video, dual SD cards$3,500 $2,740 AT AMAZON$3,498 AT B&H PHOTO
  • PHOTOGRAPH: NIKONBest for Nikon FansNikon Z6 IIThe Nikon Z6 II is Nikon’s answer to the Sony A7III, and it is a good answer for dedicated Nikon shooters. The 24-megapixel full-frame sensor has excellent dynamic range, and the phase-detect autofocus system is one of the best I’ve used. Video quality is also excellent, with 10-bit 4:2:2 N-Log output possible over HDMI. The Nikon Z6 II is also the most comfortable camera to hold on this list. Although this will depend somewhat on the size of your hands, the grip is larger and more generously spaced than on the Sony or Fujifilm cameras.The Z-series lens system is also intriguing for its wider base mount, which allows more light to the corners of the sensors. The benefits of this can be seen in the incredibly fast 58-mm f/0.95 lens (manual focus), and also the surprisingly small 50-mm f/1.2. If you’ve got a lot of legacy Nikon glass you want to keep using, there’s an F-to-Z-mount adapter available for $250. The only thing I don’t like is the strange dual card system that supports two different types of storage cards.Specs: 24-megapixel full-frame sensor, 12 fps with full AF, 4K/30fps video, XQD/CFexpress (Type B), and SD card slotOther options: The original Z6 is still a great camera that you can get for a little less. Its processing power is not as speedy, and it only has one XQD slot. Alternatively, if you want more resolution, there’s the Z7 II, which is very nearly identical to the Z6 II, except it has a 42-megapixel sensor. It’s more expensive at $3,000.$1,997 AT B&HPHOTO$1,997 AT ADORAMA
  • PHOTOGRAPH: CANONBest for Canon FansCanon EOS-RThe Canon EOS R is a mirrorless option for people who loved their DSLRs. It’s a hefty beast, with a solid feel that reminds me of what I used to love about film cameras. Even the on-off switch is made of metal. The sensor is typically Canon, which is to say sharp, with good contrast and the characteristic Canon color rendering (it’s slightly warmer in tone than some of the others here). The phase-detect autofocus is fast and accurate.One thing I really like is when you change lenses, there’s a cover that swings out to protect the sensor from dust (the exception is if you have an adapter and you remove the lens, but not the adapter). Every camera in this list would benefit from adopting this feature. The R-Mount lens system uses a very wide base diameter, like the Nikon system, and achieves similar results—there are fast R lenses around. The better news for those already invested in Canon glass is that there’s a $99 adapter that will let you affix just about any older Canon glass to the R.Specs: 30-megapixel full-frame sensor, 8 fps with autofocus, 4K/30fps video, dual SD card slots$1,799 $1,599 AT AMAZON$1,599 AT B&HPHOTO

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