With camera brands developing more advanced mirrorless cameras that are ranking even closer with high-end DSLR cameras, a rising number of photography enthusiasts have been choosing mirrorless systems. More recently, even aspiring videographers have been turning to these lightweight yet powerful imaging systems for their recreational and professional filmmaking needs.
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Best Mirrorless Camera for Video and Photography
- Panasonic Lumix GH5
- Sony Alpha a7S III
- Sony Alpha a6600
- Canon EOS R5
- Panasonic Lumix G7
- Fujifilm X-T4
- Blackmagic Design Pocket 4K Cinema Camera
- Nikon Z 6II
Whether you’re a beginner videographer or a serious enthusiast, we’re sure you’ll find a mirrorless system that will suit your budget and video recording requirements in our list.
Panasonic Lumix GH5
The Panasonic Lumix GH5 is one of the most popular and feature-packed mirrorless systems on the market. It has the ability to record true cinema 4K (4096×2160) videos at 24p, UHD 4K (3840×2160) videos at 60 fps, and full HD 1080p videos at up to 180 fps with its high-resolution 20.3-megapixel Micro Four Thirds sensor. Not many cameras can provide the same.
Providing different viewing angles (in addition to the electronic viewfinder) is the rear swivel screen, which could be very useful for the crucial monitoring of your framing and pull focus. Enjoy other professional video features such as focus peaking, zebra exposures, waveform monitoring, high dynamic range, and even immediate slow motion playback.
- 20.3MP Micro Four Thirds Digital Live MOS Sensor
- DCI 4K (4096×2160) Video Recording at 24p
- Up to 150 Minutes of Video Recording
- ISO Sensitivity Range of 200-25600 (100-25600)
- 3.2” 1.62m-dot TFT LCD Monitor
- Weighs 645g (22.7 oz)
Sony Alpha a7S III
If you’re a Sony loyalist who’s looking for top-of-the-line image quality in a smaller form factor, you’ll love the a7S III. Unveiled in the summer of 2020, this camera can can shoot 120p 4K 10-bit 4:2:2 video, plus has RAW recording up to 60p 4K (16-bit) via HDMI. Pair it with its 5-axis in-camera image stabilization technology and you get sharper footage even when you’re shooting handheld.
But what makes it really stand out, aside from the fact that it hails from a premium line of Sony Alpha mirrorless systems, is that this full-frame mirrorless camera is designed to provide optimum low light performance. It also has dual card slots for even added recording options. To see it in action, check out this hands-on review by Sony Artisan Taylor Rees.
- 12.1MP Full-Frame Exmor CMOS Sensor
- ISO sensitivity of 80-102,400
- 120p 4K 10-bit 4:2:2; Plus: RAW recording up to 60p 4K (16-bit) via HDMI
- 759 points (phase-detection AF)
- Weighs 614g (1.34 lbs)
Sony Alpha a6600
This mirrorless camera from Sony features a few of the same pro-level specs in the a7 series, such as the 5-axis image stabilization. But thanks to the smaller APS-C sensor size, it bears a much lower price point. Shooting 4K video is still a breeze and its 24.2-megapixel resolution allows you to use it as a versatile tool for both photography and videography.
Despite not having a full frame sensor, it boasts of a highly reliable AF system, which is made up of 425 phase detection points. So if you’re an aspiring or professional videographer looking for a great second camera, the a6600 tops several lists of the best mirrorless for video.
- 24.2 MP Exmor CMOS image sensor
- Latest BIONZ X image processor
- 4K 30fps movies with improved AF speed and stability
- 5-axis in-body optical image stabilization
- ISO Sensitivity Range of 100-32000
- 3.0-type 921K-dot LCD monitor
Canon EOS R5
This is the camera Canon mirrorless users have been waiting for. Packed with video features including 8K RAW and 4K up to 120fps, it’s made for the modern content creator.
It has a new 45-megapixel full-frame CMOS sensor and the DIGIC X Image Processor, brining unprecedented detail to your images and footage. Plus, autofocus improvements with both head and eye detection and animal detection keep your subjects tracked even in the toughest lighting conditions.
- 45MP Full-Frame CMOS Sensor
- DIGIC X Image Processor
- 8K RAW, 4K up to 120fps, 10-bit 4:2:2 With Canon Log or HDR PQ
- Head and Eye Detection and Animal Detection (first for a Canon mirrorless camera)
- ISO range of 100-51200; Expandable to 102400
- Dual card slots for CFexpress & UHS-II SD
Panasonic Lumix G7 with Lumix G Vario 14-42mm Lens
This powerful 4K mirrorless camera is reminiscent of its cousin, the GH4. It features a more compact body and a significantly smaller price tag but retains a rear tilting LCD monitor for easy framing and focus monitoring during each recording session.
While its body is made of plastic, this allows it to be one of the lightest video-optimized mirrorless cameras on the market. So if you’re just getting into 4K recording, the G7 is a budget-friendly option that doesn’t compromise on specs.
- 16MP Micro Four Thirds Live MOS Sensor
- UHD 4K (3840×2160) Video Recording at 30p
- Up to 29 Minutes of Video Recording
- ISO Sensitivity Range of 200-25600 (100)
- 3” 1.04m-dot TFT Touch Panel LCD
- Weighs 380g (13.4 oz)
Best Mirrorless Camera for Professionals
- Sony A7 IV CameraSony’s new A7 IV (9/10, WIRED Recommends) is a 33-megapixel full-frame camera capable of incredibly sharp images, with excellent dynamic range and the best autofocus system on the market. It’s compact and lightweight enough to carry all day without back strain, and the grip is comfortable. The five-axis image stabilization means you can hand-hold it in lower light, and the wide range of 4K video options make it the best all-around photo and stills combo on this page. There are better stills cameras (see the Sony A7RIV below) and better video cameras, but nothing else combines the two quite as well. What I don’t like about it, or any other Sony, is the labyrinthine menu system. Luckily there are enough customizable buttons that it’s not too difficult to set things up so you never need to dive into the menus.Specs: 33-megapixel full-frame sensor, 10 frames per second (fps), 7K oversampled 4K/30fps video, SD and Express cardsAnother option: If you don’t need the new autofocus features, the A7III remains a solid choice, and it’s frequently on sale for under $2,000.$3,199 AT AMAZON$2,498 AT B&H PHOTO
PHOTOGRAPH: FUJIFILM Best on a Budget Fujifilm X-T4 CameraFujifilm’s X-T4 is one of the best values in the camera market. Fujifilm uses APS-C sensors, which are smaller than the full-frame sensors in the rest of the cameras in this guide, but the images are every bit as sharp. The X-T4 has in-body image stabilization and significant autofocus improvements compared to its predecessor. There’s also a clear division between photo and video mode, so you can easily switch back and forth. The XT-4 also offers a fully articulating rear touchscreen, something you won’t find in either of the Sony cameras.The camera body’s design is reminiscent of film cameras, and perhaps the best thing about it is how seldom you need to use digital controls. ISO, shutter speed, exposure compensation, and shooting modes are all accessible via physical dials. Finally, Fujifilm’s excellent line of lenses is surprisingly affordable relative to some of the others on the list, making this one of the least expensive systems to invest in. My only real gripe is the grip; it’s on the small side for a body of this size.Specs: 26-megapixel XTrans APS-C sensor, 15 fps with full AF, 4K/60fps video, dual SD cards$1,499 AT AMAZON$1,500 AT B&H PHOTO$1,499 AT ADORAMA PHOTOGRAPH: SONYMegapixel MadnessSony A7RIVSony’s A7RIV uses a 61-megapixel full-frame sensor. From a pure resolution standpoint, it is unmatched (unless you opt for medium-format cameras). If that’s not enough, there’s a 16-shot high-resolution mode that can create 240-MP images (so long as your subject is static, e.g., a landscape). The dynamic range is outstanding, and the ability to recover detail in the shadows is something you’ll only believe once you do it yourself. I was able to pull up shadows in my RAW editor by as much as five stops with no more noise than if I had shot at the corresponding ISO in the first place.While the still images the A7RIV produces are frankly remarkable, its video chops are not of the same caliber. That’s not to say its specs are bad, but there are more capable video cameras if that’s your focus. Other downsides are its price, and its RAW files are huge (around 125 megabytes per image). If you buy one, pick up some extra hard drives too.Specs: 61-megapixel full-frame sensor, 10 fps with full AF (12 bit RAM, 6 fps for 14-bit RAW), 4K/30fps video, dual SD cards $3,500$2,740 AT AMAZON$3,498 AT B&H PHOTO PHOTOGRAPH: NIKONBest for Nikon FansNikon Z6 IIThe Nikon Z6 II is Nikon’s answer to the Sony A7III, and it is a good answer for dedicated Nikon shooters. The 24-megapixel full-frame sensor has excellent dynamic range, and the phase-detect autofocus system is one of the best I’ve used. Video quality is also excellent, with 10-bit 4:2:2 N-Log output possible over HDMI. The Nikon Z6 II is also the most comfortable camera to hold on this list. Although this will depend somewhat on the size of your hands, the grip is larger and more generously spaced than on the Sony or Fujifilm cameras.The Z-series lens system is also intriguing for its wider base mount, which allows more light to the corners of the sensors. The benefits of this can be seen in the incredibly fast 58-mm f/0.95 lens (manual focus), and also the surprisingly small 50-mm f/1.2. If you’ve got a lot of legacy Nikon glass you want to keep using, there’s an F-to-Z-mount adapter available for $250. The only thing I don’t like is the strange dual card system that supports two different types of storage cards.Specs: 24-megapixel full-frame sensor, 12 fps with full AF, 4K/30fps video, XQD/CFexpress (Type B), and SD card slotOther options: The original Z6 is still a great camera that you can get for a little less. Its processing power is not as speedy, and it only has one XQD slot. Alternatively, if you want more resolution, there’s the Z7 II, which is very nearly identical to the Z6 II, except it has a 42-megapixel sensor. It’s more expensive at $3,000.$1,997 AT B&HPHOTO$1,997 AT ADORAMA PHOTOGRAPH: CANONBest for Canon FansCanon EOS-RThe Canon EOS R is a mirrorless option for people who loved their DSLRs. It’s a hefty beast, with a solid feel that reminds me of what I used to love about film cameras. Even the on-off switch is made of metal. The sensor is typically Canon, which is to say sharp, with good contrast and the characteristic Canon color rendering (it’s slightly warmer in tone than some of the others here). The phase-detect autofocus is fast and accurate.One thing I really like is when you change lenses, there’s a cover that swings out to protect the sensor from dust (the exception is if you have an adapter and you remove the lens, but not the adapter). Every camera in this list would benefit from adopting this feature. The R-Mount lens system uses a very wide base diameter, like the Nikon system, and achieves similar results—there are fast R lenses around. The better news for those already invested in Canon glass is that there’s a $99 adapter that will let you affix just about any older Canon glass to the R.Specs: 30-megapixel full-frame sensor, 8 fps with autofocus, 4K/30fps video, dual SD card slots $1,799$1,599 AT AMAZON$1,599 AT B&HPHOTO PHOTOGRAPH: PANASONICBest for VideoPanasonic Lumix DC-S5Panasonic’s S5 is a compact full-frame mirrorless with a very sharp 24-megapixel sensor. The S5 mostly holds its own against the rest of these full-frame cameras in still image quality, but what really sets it apart is the extra video features you won’t find elsewhere—support for V-Log recording, anamorphic 4K support, and uncropped 4K at 30 frames per second top the list. The result is a camera that’s perfect for hybrid video and stills shooters.The S5 uses the L-mount lens system, an effort to do for full-frame what Panasonic did for micro four-thirds: create a unified lens mount standard. Leica is the driving force behind the L-mount, but Panasonic and Sigma also have plenty of glass in L-mount. That means there’s no shortage of lenses for the S5. The biggest shortcoming is the autofocus. Like the bigger S1, there’s no phase detection, and the camera relies on a contrast-based detection system, which is slower and less accurate. If you’re comparing it to the GH5 for video, it’s nearly identical, save the lack of a full-size HDMI port.Specs: 24-megapixel full-frame sensor (no AA filter), 5 fps with autofocus, 4K/30fps video, dual SD card slots