Studies have shown that a lot of professional photographers prefer to use the silver back camera for shooting. However, the disadvantages of using the camera are not found anywhere so the market is full of each person.
The work of a street photographer can be divided into two categories – one is the work that involves formal poses and the second are photos of people who appear inadvertently in their environment, i.e. with their back to the shooter
Street photography – it’s something that anyone can do and yet few people seem to like. Playing deliberately into this idea is the fact that you don’t need expensive, top-of-the-line camera gear to take a good shot or two, but you also don’t want to skimp and try to impress with the cheapest possible gear, either.
Photographing silver on white background
It does it to you every time! You are strolling on an empty street, the sun is about to set, and you reach for your camera. But suddenly you realize that the low light is not allowing your device to “catch” the scenes anymore. This is where a back or silver camera for street photography comes in handy because it allows you to capture a clear picture even if the sun is low or if there are other light issues. Thank God we get this type of pictures on devices as they never let us down when it comes to capturing history.
Street photography can be a great way to learn about photography, but it can also be intimidating for people who aren’t already familiar with the art form. In street photography you are photographing people spontaneously in public places like streets, markets and parks. It’s true that you won’t have much control over the lighting but it can lead to even more challenging photographs.
Back or silver camera for street photography
Since I started street photography I have gone through many different cameras and it’s taken me this long to find the perfect one. I thought I would write this blog post to help people when choosing the right camera for street photography and my hope is it might stop you from making the same mistakes I did and in the process stop you from wasting money and your valuable time.
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I have changed my camera many times over the past 6 years. I started my trip through the digital world of photography with the Nikon D300, then I moved onto the Fuji X100 (loved this camera), then back to Nikon and before moving to Fujifilm (which I’ve been using for the past 2 years) I tried Canon, Olympus and Leica. Why have I got through so many cameras? Well, first off it’s not easy finding a camera that you can get comfortable with straight away! Even if you are lucky enough to find a camera that you do find comfortable, it’s not to say that you won’t start looking for a new camera almost straight away (come on, we all do it!) it’s human nature to keep looking forward for the latest and greatest – hoping that we find something that is even better and more comfortable than what we have. That mythical magic bullet that will make us an awesome photographer.
The March Of Camera Technology
If you look at how camera technology has changed over the past 10 years, it’s easy to see why I keep feeling the need to change my camera. As digital camera technology has continued to advance there have been many improvements in the technology behind the cameras. For me, the biggest change within the photography world has been with the advancement of mirrorless tech, which for me has improved the fastest over the past few years and still continues to improve to this day. In fact, the rate of change is so fast that we are having trouble keeping up with it! Just look at the number of mirrorless cameras Sony and Fujifilm have been launching in the last few years alone! With each new leap in technology cameras are getting smaller, faster, lighter and more powerful. To use just one example, think back to the digital cameras from say 10 years ago and look at the ISO performance and compare it to the present day; ISO performance has seen massive improvements, so much so that now I can now shoot at 6400 (and higher) and still have a clean usable photo, this wasn’t possible 8 years ago.
Full Frame No More?
Back when I first started looking for a digital camera I was told there was no point in looking for any camera unless it was full frame, but this has now changed. I no longer consider full frame cameras the default choice. For street photography, cameras with cropped sensors can take a photo with equal image quality to those with a full frame sensor, and, in my opinion actually better. In my early days of using a digital camera I never would’ve even thought about using the out of camera jpegs from my full frame DSLR, jump just 6 years to the present day and I’m now using the jpeg’s straight out of my Fuji APS-C mirrorless camera.
So what should you be looking for in a street photography camera? For me there are 3 important steps for choosing a camera for street photography:
Lightweight Camera for Street Photography
For me, the weight is the most important thing to take into consideration when looking for a street photography camera. Remember, you have to carry the camera all day. So for street shooting, I would not recommend a DSLR. I’m not saying that DSLRs are bad for street photography per se – after all my first digital camera was Nikon D300 and I used this for just over a year. The trouble was after just a few hours of using the Nikon I was dead on my feet, the camera was comfortable to hold but it weighed a tonne. And this is where the technology has improved – mirrorless cameras are perfect for carrying all day. Most mirrorless cameras can weigh less than the lenses for a DSLR. I don’t even notice the Fuji camera I use today, it weighs nothing and because of this, I can stay out shooting for longer.
Discreet Cameras are Key for Street Photography
Discreteness in street photography is very important. Having a big bulky camera like a DSLR is going to get you noticed, and again this where the mirrorless camera comes into its own. The smaller the camera the better it will be for street work, remember that most of the time you’re looking for the spontaneous candid moment. As I’ve said above I’ve gone through many cameras looking for the perfect street camera. As a result, I wouldn’t recommend a silver and black camera (or any other colour for that matter) – go with all black camera, as this blends in with most clothes and people don’t tend to notice it as much. I now use a Fujifilm X-E3 (which is black) this camera is small, light and discreet and because of this it allows me to get up close and personal and I would say that 90% of the time it doesn’t get noticed.
Good Function Makes for Fun Street Photography
Function is so important when looking for a street photography camera. If the camera is complicated to operate it will end up driving you nuts and you just won’t bother using it. Now, this doesn’t just include the menu on the camera, which can end up being like a minefield, but on most modern cameras, you can customise the menu to your needs. Functionality for me comes down to the button placement on the camera – does my hand knock the buttons when I carry it? Can I customise the buttons and camera to do what I need?, If the answer to the first question is no and yes to the second then I’m going to get on with the camera. You need a camera that you’re not fighting with and can use instinctively. What do I mean? Well, when I’m on the streets all I want to do is focus on the photo I’m about to take, I don’t want to be thinking about the camera. If I can forget that I’m holding a camera and just work on instinct, this is the best way for me to shoot.
Price – Budget is Important for a Street Photography Camera
Last but not least is the elephant in the room – the cost. You have to set a budget for your camera and lens and then stick to it, it’s all too easy to overspend and trust me most the time you don’t have to. You don’t have to buy a brand new camera, in fact, I would highly recommend you don’t buy a new camera for street work, you are more likely to worry about the camera and this in turns takes your concentration away from the streets. So my advice would be, buy a used camera that’s a few years old. This saves you money, and in most cases, you’ll end up with a high-end camera for a good price. Here in the UK, there are many photography shops that offer great deals on secondhand gear, you can pick up a Fujifilm X100, X-T10, Olympus OM or Sony A7 for under £500. There are many bargains out there and it wouldn’t take you long to find something. With the money you’ve saved by getting a good deal on a camera you can take a trip somewhere really exciting for street photography, attend a workshop, or buy some photo books!
Choose The Right Street Photography Camera For You
Finally, let’s ask the big question – Does it matter who makes the camera? The simple and straightforward answer is NO. Finding the perfect tool for any job isn’t easy, but let’s be honest here and say that the hunt for the right tool is half the fun. If you find a camera that you are happy with and it does everything you need it to do, then don’t worry what name is on it.
Let me remind you, “The photo is all that matters”.
Stay sharp and keep shooting
Before we dive into this guide to the best camera for street photographers in 2022, it’s important to establish some criteria.
After all, what exactly is a street photography camera? Does a camera for street photography even exist?!
Well, it’s definitely true that you can use any camera to shoot people walking on the street…
However, it’s also true that some digital cameras are better at the job than others, and that’s where this article will help you make the right buying decision. EDITOR’S CHOICE
Impressive image quality and image stabilization, combined with incredible autofocus and burst mode.CHECK CURRENT PRICE
Street photographers require a compact camera that’s inconspicuous, has lightning-fast Auto Focus, long battery life, good image quality, and first-rate build quality that can take a few knocks or drops of rain.
A mirrorless camera is usually more appropriate than a DSLR camera, although some street photographers even use film cameras…
Then there are things like manual focus, a fixed lens, bright LCD screen, electronic viewfinder, wide dynamic range, interchangeable lenses, 4k video and other features which are nice, but definitely not essential.
Let’s take a look at the best street photography cameras of the year so far.
Best Cameras for Street Photography in 2022
|Fujifilm X-T4OUR #1 CHOICE||15FPS Mechanical ShutterExcellent EVF4K VideoLarge Battery||VIEW PRICE →|
|Fujifilm X-Pro 3TOP RATED||Outstanding AutofocusHybrid Optical-Electronic Viewfinder4K VideoRobust Build||VIEW PRICE →|
|Ricoh GR IIIGREAT VALUE||Fast Autofocusing3″ Touch Sensitive LCD ScreenRobust BuildOutstanding Build Quality||VIEW PRICE →|
|Sony A6600||Fast AutofocusingDust & Splash ProtectionReal-Time Tracking Focus SystemRobust Build||VIEW PRICE →|
|Fujifilm X100V||Built-In 4 Stop ND FilterHybrid Optical-Electronic ViewfinderWeather Sealed4K Video||VIEW PRICE →|
1. Fujifilm X-T4
See More Reviews EDITOR’S CHOICEPros
- Ultra-fast autofocus system
- Superb image quality
- Appealing retro design
- Excellent EVF
- Not the cheapest on the list
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As a general rule, mirrorless cameras make far better street photography cameras than DSLRs. The number one reason for this is the reduced size and weight and overall discreetness of a mirrorless camera.https://imasdk.googleapis.com/js/core/bridge3.501.0_en.html#goog_2019209414Volume 0%
It’s no surprise then that Fujifilm cameras feature heavily in our guide for the best camera for street photography. And it’s certainly no mistake that the brand new Fujifilm X-T4 is at the top of our list.
I recently reviewed the X-T4 and I was incredibly impressed by its overall performance and image quality – click the black link above to read more.
Street photography is all about documenting people as they interact with their world. Being able to freeze the moment within a split second requires a super-fast autofocus system.
The Fujifilm X-T4 features one of the fastest autofocus systems ever thanks to the combination of its intelligent hybrid AF system and the Fuji X-Processor 4.
You can grab a shot of an interesting street composition and be on your way before anyone even realised you were there.
What’s more, the new and improved shutter on the Fuji X-T4 is near silent even in mechanical shutter mode.
The build quality and looks of this fully weather-sealed camera are second to none. The body is all metal and visually has a typically Fuji retro-inspired design.
The X-T4 is a great size and much smaller than most DSLR cameras – plus at only 607g (1.33lb) you’ll hardly notice you’re carrying it.
Being a mirrorless camera, you can shoot from the articulated touch screen or from the electronic viewfinder. Both are bright and crisp with 1.62 million dots and 3.69 million dots of resolution.
Fuji has an excellent range of XT-4 compatible lenses that you can pair with this camera for a broad range of photography activities.
But for street, our pick is the Fujifilm XF 23mm f/2: it’s optically brilliant and quite possibly the fastest focusing Fuji lens.https://0bb8b02da1a96664881bc815d28a421a.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
This lens is also weather-sealed meaning that when paired with the Fuji X-T4 you can pursue street photography in poor weather.
In terms of battery performance, this camera features a new and larger battery with the ability to shoot up to 600 shots. Although, with a small lens like the XF 23mm f/2, you’re likely to get even more shots from a single charge.
For low light photography, it has a perfect ISO range up to 12,800 with 1/3 steps and an extended range of 80 to 51,200. Further to this, it features 5-axis IBIS meaning you can slow your shutter speed down in poor light and still capture sharp images.https://0bb8b02da1a96664881bc815d28a421a.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
One of the biggest benefits of this Fuji camera is the image quality. The Fuji X-T4 features the latest 26.1-megapixel X-Trans CMOS 4 image sensor. Images shot in both RAW and JPEG are sharp, vibrant and benefit from Fuji’s highly-regarded colour science.
In fact, the Fujifilm X-T4 has a total of 18 Film Simulations that you can apply to your JPEG images as you shoot or via in-camera processing after the fact. No one produces such high-quality JPEGs straight out of the camera as Fuji can.
The X-T4 retails for around US$1,700 for the body only. With all the features, performance and optical output, that’s brilliant value for money.
If you’re a street photographer looking for the best digital camera for street photography, the Fujifilm X-T4 is a sure winner. It’s a stealthy, sophisticated and feature-packed camera ideal for a day of documenting life on the streets.CHECK CURRENT PRICE
2. Fujifilm X-Pro 3
See More ReviewsPros
- Robust build
- Excellent autofocus
- Rangefinder styling
- Hybrid viewfinder
- Hidden rear touch screen not to everyone’s liking
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The Fuji X-Pro series first launched back in 2012 and is now up to its third generation. The series has been a favourite of street photographers for all that time, so it naturally makes our list of the greatest cameras for street photography.
As with the X-T4, the Fujifilm X-Pro3 is the latest entry in that series of Fuji cameras. And I have to say, it’s a cracker of a camera designed with street photographers in mind – check out my review.
This rangefinder-style camera has a look that draws its style from rangefinder cameras of old. In fact, out on the street, many will mistake this for a much older film camera.
Looking a little closer will highlight that the weather-sealed Fujifilm X-Pro3 is built like a tank. The body is cast with a magnesium frame with the top and base plate made from titanium for corrosion-resistance.
As this is a premium product from Fuji, you can have a choice of three different finishes on the camera body. The first is a standard black while the other two are Duratech Black and Duratech Silver.
The Duratech is a scratch-proof protective coating applied to the exterior but comes at a substantial additional cost.
The hybrid-viewfinder can switch from an Optical Viewfinder to an Electronic Viewfinder with the flick of a switch giving you the option to compose with your eye or with the aid of what the lens sees.https://0bb8b02da1a96664881bc815d28a421a.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
Controversially, the Fujifilm X-Pro3 has a rear touch screen that’s hidden from view – you can, of course, view it by flipping it down.
Fuji made this design choice to make this camera suited to the street photography market by making the photographic process less distracting.
Regardless, the LCD screen has a great resolution at 1.62 million dots. There’s also a second monitor mounted on the rear panel that hides the LCD – this one is for showing core shooting settings and the box art of the Fuji film simulation.
Again, this is yet another throw-back to a retro style of photography with film.
The Fujifilm X-Pro3 houses the same 26.1-megapixel X-Trans CMOS 4 sensor and X-Processor 4 as the Fujifilm X-T4. As a result, the image quality is stunning regardless of if you’re shooting in RAW or pulling JPEGs straight out of the camera.https://0bb8b02da1a96664881bc815d28a421a.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
All Fuji cameras feature the ability to process images in-camera and apply film simulations and fine adjustments to image quality.
Like the X-T4, the Fujifilm Pro-3 is an interchangeable lens camera so you can pair any of the amazing Fujifilm X Series lenses with it.
A great option for street photography is the Fujifilm XF 16mm f/2.8 – it’s fast and a little wider so you can capture more story in your images.
The standard black Fuji X-Pro3 will cost you around US$1800 (check here for the latest price) and if you want one of the Duratech versions, that will add about another US$200.
The Fujifilm X-Pro3 is clearly one of the best cameras for street photography – Fuji even invited some popular street photographers to be a part of its development.https://0bb8b02da1a96664881bc815d28a421a.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
It ticks all the boxes for street photography and, like the X-T4, has a range of features and capabilities that can extend beyond the street if you so desire.CHECK CURRENT PRICE
3. Ricoh GR III
See More ReviewsPros
- Small, light and stealthy
- Outstanding build quality
- Minimalist aesthetic
- Unique image character
- LCD doesn’t articulate
- Can struggle in low light
Now we come to our first non-Fuji entry, with a camera from a brand that’s a household name amongst street photography enthusiasts: Ricoh.
The range has enjoyed its success as a compact digital street photography camera, and now has something of a cult following.
The series has come a long way since 1996 and in this guide, we celebrate the new generation of a highly capable yet compact digital camera.
The lineage of the Ricoh GR III dates back to the Ricoh GR1 – a 35mm film camera.
The GRIII is the smallest and lightest entry in our search for a great camera for street photography – 257g (0.56lb) including a battery and memory card.
As a result, you can be a street photography ninja by keeping it in your jacket pocket and only producing it when you’re ready to grab a shot.
The stealth qualities of this camera are obvious as a lot of the time you would look like a tourist with a point-and-shoot.https://0bb8b02da1a96664881bc815d28a421a.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
But this is no plastic-fantastic product! The Ricoh GR III has a strong magnesium alloy frame on the inside and proven design considerations on the outside.
Being such a small digital camera, the broad grip provides a greater level of control. Plus, the camera has a minimal design aesthetic with only essential controls evident.
The rear of the camera features as 3.0″ touch-responsive colour LCD with 1037K dots of resolution. Unfortunately, it’s fixed with no articulation.
When it comes to performance, the Ricoh GR III has a great autofocus system however in low light it tends to struggle.
The camera features 3-axis anti-shake image stabilisation which is rare in a camera of this size.
Low light sensitivity is well managed by the sensor and image processor with an ISO range of 100 to a staggering 102,400 (I’m not so sure that anyone actually shoots at such a high ISO, but it’s impressive).
Images from the Ricoh GRIII have a very unique look and feel making it perfect as a street photography camera. Your images simply won’t look like those from every other camera.
This street camera houses a great 24.2-megapixel APS-C sized CMOS image sensor and is driven by the new GR Engine 6 processing chip.
Being a compact camera, the lens is a fixed 18.3 mm (35 mm format equivalent: 28 mm) focal length with its widest aperture being f/2.8.
Many street photographers prefer a wide lens like this to be able to get both dynamic angles and more content in their composition. Plus, being a fixed focal distance, it’s far more challenging and rewarding to work with the lens you have.https://0bb8b02da1a96664881bc815d28a421a.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
One of the biggest challenges with a smaller size camera like the Ricoh GR III is the battery life – you’re going to get around 200 shots depending on your shooting settings.
As a result, you’re going to need to grab at least one extra Ricoh DB-110 battery for an afternoon of street photography.
The Ricoh GR III is going to cost you around US$900. For a high-quality, reliable and cult-status camera, that’s excellent value for money.
The GR III is the most portable and one of the best street photography cameras available.CHECK CURRENT PRICE
4. Sony a6600
See More ReviewsPros
- Lightning fast autofocus
- Bright EVF
- Industry-leading face/eye-tracking
- Great contrast rendering
- LCD resolution not the best
- Complex menu system
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Sony is one of the most popular and recognised consumer electronics developers and is highly regarded for their mirrorless camera technology.https://0bb8b02da1a96664881bc815d28a421a.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
In many respects, they are the industry leaders in both the full-frame and APS-C mirrorless camera market, and a number of their models make ideal street photography cameras.
While the Sony a6600 uses some older tech, it’s still a high performing and popular choice as a reliable street shooter.
Without a lens, this Sony appears as a premium compact camera with a very deep grip. Once you attach a medium to large lens to the camera, it tends to lose its compact appearance and balance.
Thankfully, there’s a wide range of Sony and third-party lenses available for the E-mount a6600.
A great lens for street photography that pairs well with the a6600 is the Sony 20mm f/2.8. This is a compact pancake lens that keeps the overall size and weight of the kit down. You can check out some of our other recommended lenses for the a6600 here.
The camera is solidly built and comfortable to use with all necessary buttons easily accessible.https://0bb8b02da1a96664881bc815d28a421a.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
Further to this, the camera features a touch LCD with a fairly lacklustre 921,6K dots of resolution. The screen does flip up to 180 degrees making the ability to shoot street from the hip an option.
Fortunately, the EVF or Electronic Viewfinder is a nice bright 2,359K dots of resolution.
Sony boasts probably the best autofocusing system in the industry, and fortunately, the a6600 is a recipient of that tech.
The autofocus is lightning fast thanks to its Fast Hybrid AF that combines both phase detection and contrast detection. As for continuous shooting, you can expect a blistering 11fps, beating most other APS-C mirrorless cameras.
For good measure, the focusing system includes industry-leading face and eye-tracking – great if that’s the way you play on the street.
Images from the Sony a6600 are crisp and bright with greater contrast rendering. This is thanks to the APS-C sized 24.2-megapixel image sensor.
Low light performance is enhanced by the 5-axis image stabilization and the ISO range of 100 up to 102,400 (there’s that crazy high ISO once again).
One of the biggest complaints with any Sony camera is the complex and nonsensical menu systems; the Sony a6600 is not spared in this criticism.
While you can control most of the core functions from the exterior, having to dive into menus to set up or change settings is annoying.https://0bb8b02da1a96664881bc815d28a421a.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
However, once set you’ll be grateful that you don’t have to access the menu often for street shooting.
The Sony a6600 retails for around US$1400. Then all you need to do is apply your lens of choice and you’re set to hit the streets.
For a more in-depth look at the Sony a6600, check out our review here.CHECK CURRENT PRICE
5. Fujifilm X100V
See More ReviewsPros
- Robust build
- Built-in ND filter
- Hybrid viewfinder
- Poor grip
- Built-in ND filter not available for video
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With our final choice of camera for street photography, we return to the land of Fujifilm and the successor to the popular Fujifilm X100f.https://0bb8b02da1a96664881bc815d28a421a.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
Way back in 2011, Fuji developed a brilliant, sophisticated and stylish compact camera that would be the ultimate street photography system. It’s the camera that got a lot of people started on their Fujifilm journey.
The Fuji X100 series has not strayed too far from the path in terms of aesthetics but the tech has made leaps and bounds.
Now we have the Fujifilm X100V with all the latest technology and capabilities Fuji could cram in.
The X100V is an eye-catching retro-inspired camera with slick lines and a robust build.
It looks more like a mint-condition film camera from decades ago, and some even compare it to a much-higher priced premium camera brand.
Quite simply it looks gorgeous, and what’s more, it performs like a pro!
It’s the first in the series to boast weather-sealing – on the provision you buy and fit an adapter ring and filter.
Just like the Fuji X-T4 and X-Pro3, it’s home to the latest 26.1-megapixel X-Trans CMOS 4 sensor and X-Processor 4 from Fuji. This is a premium compact camera with Fuji’s best flagship model tech.
As a result, images from the X100V are gorgeous and pop with Fujifilm’s colour science and of course film simulations.
There’s even a 4-stop ND filter for shooting street on those bright and glary days.
The first four generations of the X100 featured the same 23mm f/2 lens that was optically good but a little soft. Now, the fifth generation has a brand new 23mm f/2 lens that’s sharp and crisp edge-to-edge.
As seen with the Fuji X-Pro3, the X100V has the same hybrid viewfinder with both EVF and OVF options. Even though the EVF has a whopping 3.69-million dots of resolution, it’s nice to have the option to shoot optically.
The rear screen flips up making shooting discretely from the hip easy while looking down at the 1.62 million dots of resolution. You can also set the screen to allow you to select a focus point and shoot from the touch screen.
Speaking of focusing, the X100V employs the same Intelligent Hybrid AF system – combining contrast and phase detection – as its bigger siblings.
Focusing is fast and accurate plus you can utilise the commendable face and eye detection tracking if you desire.
As for battery life, you can capture up to 350 shots when using the EVF or an extended 420 shots when shooting with the OVF – which is decent for a compact model.
While you might not decide to grab a second battery, there are a plethora of accessories available to personalise and customise your X100.
In terms of cost, the X100V retails for around US$1400. For a premium camera that’s compact yet features the same performance as a flagship model, that’s great value for money.
Simply put, the Fujifilm X100V is one of the greatest street photography cameras available. Check out our review here.CHECK CURRENT PRICE
Frequently Asked Questions
What’s the best camera setting for street photography?
The best camera setting for street photography is to have a fast shutter speed of around 1/500 and an aperture of around f/8. That way you’ll freeze your subjects in time as well as ensure that everything in the frame is in focus.
What’s the best focal length for street photography?
This will depend on personal preference and how much of the story you want to capture in your composition. However, a great starting point of 23mm (35mm full-frame equivalent) is going to be best as you gain a natural field of view.
How do you carry a camera for street photography?
The main consideration for street photography is how quickly and inconspicuously you can access your camera. That’s why holding your camera securely in hand with a wrist strap is a good option, though some prefer camera straps on the shoulder or around the neck.
If you’re a novice or experienced street photographer looking for a new shooter, then any of the cameras listed in our guide will meet your needs.
What’s more, even if you want to get started with street, these cameras offer a user-friendly platform to get going.
Street photography is all about being on the go, travelling light and being as invisible as possible.
As a result, having the right camera will prevent you from drawing attention to yourself. Plus, you can carry a compact street camera, like those covered here, all day without any fatigue or strain.
If you’re in the market for the best shooter for street photography, do yourself a favour and grab one of our highly recommended cameras. As a result, you will find yourself wanting to get out and shoot every single day. EDITOR’S CHOICE
Impressive image quality and image stabilization, combined with incredible autofocus and burst mode.CHECK CURRENT PRICE
Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. The products in this post may contain affiliate links.